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"Every canvas starts the same way — I ask to be shown the light, and then I try not to get in its way." · Las Vegas, NV

Jenny
Baham

RealismImpressionismOil on CanvasLas Vegas, NVRealismImpressionismOil on CanvasLas Vegas, NVRealismImpressionismOil on CanvasLas Vegas, NVRealismImpressionismOil on CanvasLas Vegas, NVRealismImpressionismOil on CanvasLas Vegas, NVRealismImpressionismOil on CanvasLas Vegas, NV

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Jenny Baham

Jenny Baham paints the American West the way she found her calling in it — one honest, luminous canvas at a time. A former Las Vegas tech executive turned oil painter, she has spent the last decade tracing the National Parks from Glacier to the Grand Canyon, and closer to home, the light on the Strip at night. Her work has been honored four years running at the Tokyo Metropolitan Museum of Art and now hangs in the City of Las Vegas's own public art collection.

Jenny Baham

The Process

Inside the Studio

The Painting Process

The Painting Process Jenny's process starts long before the brush touches canvas — usually on the road, sketchbook and camera in hand, standing in front of whatever National Park cliff face or wildlife scene stopped her cold. She works from those references back in her Las Vegas studio, laying in smooth, accurate line work first — a discipline she credits directly to her training under Master Jiun Pan — before building up the luminous color and light that has become her signature. She often describes the work as less a technical decision than staying out of the way of what she's been shown, treating each finished canvas closer to a gift received than a problem solved. The same unhurried, foundational approach carries into her teaching, where she walks College of Southern Nevada students through identical steps: sketch first, get the line honest, then let the color find its own light.

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Studio 6

Where to Find the Work

Gallery Representations

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